Through the deceptively complex pop of Quit The Curse marks the debut of Anna Burch, it’s anything but the green first steps of a fledgling new artist. The Detroit singer/songwriter has been visible for the better part of her years-long career singing in Frontier Ruckus, or more recently co-fronting Failed Flowers, but somewhere a vibrant collection of solo material slowly began taking form.
Growing up in Michigan, her fixation with music transitioned from a childhood of Disney and Carole King sing-alongs to more typically angsty teenage years spent covering Bright Eyes and Fiona Apple at open mic nights. By 18 she was deep into the lifestyle of the touring musician, juggling all the regular trials and changes of young life while on a schedule that would have her gone for months on end.
After a few whirlwind years of this, exhausted and feeling a little lost, she stepped away from music completely to attend grad school in Chicago. This respite lasted until 2014 when she moved to Detroit and found herself starting work in earnest on solo songs she’d been making casual demos of for a year or so. Friends had been encouraging her to dive into solo music, and one particularly enthusiastic friend, Chicago musician Paul Cherry, went so far as to assemble a band around scrappy phone demos to push for a fully realized album.
“Writing songs that I actually liked for the first time gave me a feeling of accomplishment,” Burch said, “Like, I can do this too! But working with other musicians and hearing the songs go from sad singer/songwriter tunes to arranged pop songs gave me this giddy confidence that I’d never felt before.”
The process was drawn out and various drafts and recordings came and went as the months passed. By now Anna was playing low key shows and d.i.y. tours solo and had released some early versions of a few songs on a split with fellow Detroit musician Stef Chura. Even at a slow, meticulous pace, with every step the album took closer to completion, it felt more serious and more real. After a more than a year of piecemeal recording sessions, Anna was introduced to engineer Collin Dupuis (Lana Del Rey, Angel Olsen) who helped push things energetically home, mixing the already bright songs into a state of brilliant clarity.
The nine songs that comprise Quit The Curse come on sugary and upbeat, but their darker lyrical themes and serpentine song structures are tucked neatly into what seem at first just like uncommonly catchy tunes. Burch’s crystal clear vocal harmonies and gracefully crafted songs feel so warm and friendly that it’s easy to miss the lyrics about destructive relationships, daddy issues and substance abuse that cling like spiderwebs to the hooky melodies. The maddeningly absent lover being sung to in “2 Cool 2 Care”, the crowded exhaustion of “With You Every Day” or even the grim, paranoid tale of scoring drugs in “Asking 4 A Friend” sometimes feel overshadowed by the shimmering sonics that envelop them.
“To me this album marks the end of an era of uncertainty. Writing songs about my emotional struggles helped me to work through some negative patterns in my personal life, while giving me the sense of creative agency I’d been searching for.”
Emerging from years spent as a supporting player, Quit The Curse stands as a liberation from feeling like Burch’s own songwriting voice was just out of reach — an opportunity, finally, for the world at large to hear what’s been on her mind for quite a while.
The Isle of Wight raised, fuzzed up Indie/Rock artist claims: 'Don't tell me stories, I'll write songs about them'.
After a successful year of releases, securing support from Clash Magazine, Earmilk, Crack in the Road, Nothing But Hope And Passion. Spotify have championed her latest release ‘Call Shotgun’ landing it a place on the New Music Friday UK, The Indie List and All New All Now playlist. Lauran has also gone to selling out her first headline show, as well as a string of support shows including Clean Cut Kid/ Bryde and Girli. and has taken to the Bestival main stage for two years in a row. Other estival appearances include Liverpool Sound City, Isle of Wight Festival, Commom People, Blue Dot and Follow The Sun.
Lauran has had great radio support, including Steve Lamacq at BBC 6 Music, John Kennedy at Radio X and has received a constant support from BBC Introducing.
Lauran's ever-growing sound hints at a grander and gungier live setting, captured effortlessly and with no coming up for air in her recordings to date. Tom Robinson at BBC 6 Music described a prior release 'Hunny is this what adults do?' as ' a colourful animation in which Lauran's left - field personality spills over' he went on to say 'It's uniqueness of sound is what makes this song so darned stand-out attractive.'
Her single 'Fun Like This' has been described as a 'Pop etched ode, to non conformity'. It's said to be a 'big old grungey 90's single, which has been nailed perfectly.
THE GOLDEN DREGS
Ben has spent the past four years filtering Falmouth life into his first full length album - Lafayette. What plays out is a rich representation of small town living; from the churn of the rumour mill to the assortment of intriguing characters that only seem to exist far away from motorways, Itsu chains and the relative anonymity afforded by city living.
With a musical approach inspired by 70’s Americana and jam bands - The Basement Tapes, The Grateful Dead and the Mussel Shoals scene - Lafayette is an album fit for longer evenings full of simpler decisions. It's jangly summer-summoning pop for the hours when the sun is disappearing below the sea.