GIA MARGARET

Chicago singer/songwriter/producer Gia Margaret describes her music as “sleep rock.” It’s a genre all her own, combining elements of folk, shoegaze, slowcore, ambient electronica and trip hop. For her self-produced debut album, There’s Always Glimmer(out July 27, 2018 on Orindal Records), Gia Margaret crafted twelve gorgeously melancholic lullabies to combat her own insomnia, and to salvage some beauty from the brighter and darker moments of her life.

There’s Always Glimmer explores relationships between friends, family members and significant others, often in past tense. Sparse verses isolate mundane moments of domestic and urban life, and choruses ache with earnest expressions of yearning and loss. The disarmingly simple language of Gia Margaret’s lyrics, when carried by the melodic sparkle of her singing voice, have the power to elevate an ordinary moment into something supremely nostalgic and sentimental. A ride on a train, a hand on a shoulder, a dog in a yard, the light of the moon through an apartment window are each made significant and sacred, worthy of examination and preservation.

As much as it addresses the unease in our lives, each song on There’s Always Glimmeris steeped in loving comfort, awash with gentle sounds to usher the still minutes before dreams come, when we’re left alone amidst the shadows and the echoes of our memory. There’s Always Glimmer exists to fill the darkness and the quiet.

OHTIS

The beautifully dark country-Americana and lyrical onslaught of 'Runnin' is a fitting introduction to songwriter Sam Swinson's autobiographical journey through indoctrination and addiction; an endlessly inviting confession from his past battles with substance abuse, and the religious demons lingering from his upbringing in a fundamentalist evangelical cult.

Ohtis originally formed when Swinson and co-founder Adam Pressley were sophomores at high school in Normal, Illinois. They self-released their first material on small run CD-Rs while still teenagers, primarily to a local audience. Their partnership has defined Ohtis, accompanied by a revolving cast of local musicians joining the live act over the years, including re-joining mainstay member and multi-instrumentalist Nate Hahn.

By around 2009, Swinson's addiction had become life-threatening. Weighing the odds of maintaining a creative partnership in those conditions, Pressley and Hahn decided to distance themselves and the band dissolved. They kept in touch whilst living in different parts of the country, swapping ideas and songs online, never planning to release them, in equal parts because of their traumatic falling-out, and Sam's ongoing addiction to heroin.

Redemption eventually came in the form of sobriety for Swinson. After making 9th step amends to both of his re-joining bandmates, they brought Ohtis back to life; unfazed by the 2000 miles that now separate them geographically, with Pressley and Hahn in Detroit and Chicago and Swinson in Los Angeles.

The first verse of 'Runnin' was written for Adam by Sam while he was in rehab in 2011. It foreshadows a reunion of the band, and it signals a reincarnation of Sam. "Sam's beautiful encapsulation of recovery principles among the descriptions of his own struggle and redemption with sobriety in the song 'Runnin' was a major factor drawing me back to the band when they reformed," Nate explains. Swinson went to a self-made hell, and when he came out the other side he found a support group waiting for him, which had always been there, in Ohtis.

The new LP from Ohtis will follow in 2019.

Gia Margaret / Ohtis

17 Jan 2019

The Slaughtered Lamb

34-35 Great Sutton St, Clerkenwell
London
EC1V 0DX

7.30pm

£7.50

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