United Crushers is POLIÇA’s third full-length release and most ambitious album to date. The band, which includes Channy Leaneagh, dual drummers, Drew Christopherson and Ben Ivascu and Chris Beirden on bass with producer Ryan Olson at the helm, collectively wrote the album in Minneapolis in the winter of 2015 during their first true break from two straight years of touring. They recorded it at the renowned Sonic Ranch Studios in El Paso, TX, nestled just afew short miles from the United States/Mexico boarder. The new album builds on POLIÇA’s signature synthesizer and percussion-heavy sounds with more complex arrangements and a bigger, crisper hi-fi punch due to the new approach they took to writing and recording: together, all in the same room. There's a tighter groove to these songs and a more vulnerable quality to them, especially in Leaneagh's singing. Her impressive vocal range is consistently on display throughout, beautifully raw and less electronically effected than on previous recordings.
The themes found and explored on United Crushers are heavily political and deeply personal with thick references to social injustice, self-doubt and isolation, the rapidly increasing urban decline in gentrification, overcoming music industry machinations, and finding true and honest love in the wake of it all. Even at its darkest, the record is musically the band's most upbeat and celebratory. It is a weapon meant to empower the weak, the forgotten, and the disenfranchised. United Crushers is the follow up to 2013’s Shulamith and that band's 2012's debut, Give You The Ghost.
Girlhood are Christian Pinchbeck and Tessa Cavanna, that began when their separate musical projects came to an end, with the pair drawing inspiration from the shared sounds on which they grew up. Taking cues from Fugees, late 80s hip hop and The Avalanches and 90s neo-soul, the pair use Christian's narrowboat - still docked on a London canal - to write, record and produce their music, bringing a distinctly British setting to their worldly and diverse range of influences. They released their debut EP 'Girlhood Vol. 1' at the end of 2017 to huge acclaim, and are currently working on new music for 2018.
Graham Dunning explores sound as texture, timbre and something tactile, drawing on bedroom production, tinkering and recycling found objects. He also creates visual work, video and installations drawing on these themes. As a DJ he plays a diverse range of electronic and experimental music sourced in equal parts from junk shops and new releases.