Having hit a peak of inventiveness and productivity, Wire have been playing strings of sold out shows and achieving career best album sales, as well as being cited as a strong influence by yet another generation of bands, including Parquet Courts and Savages.
Wire’s latest album is ‘Silver/Lead’, a set of songs which encompasses the optimistic dazzle of ‘Diamonds In Cups’, the menacing widescreen grandeur of ‘Playing Harp For The Fishes’ and the breakneck paced guitar pop of ‘Short Elevated Period’.
Although their 15th studio album is being released on the 40th anniversary of Wire’s debut, ‘Silver/Lead’ has nothing to do with the past and everything to do with the future.
If you’re going to call your band audiobooks, you’d better have some good stories to tell. Stories that should move you and stories to make you move. Stories about real life and surreal life and all that weirdness that you just glimpsed out of the corner of your eye.
Luckily for you, audiobooks really do. The London based duo have developed a unique ability to conjure up magical aural snapshots that wallop you like bong hits. Each of their discombobulating observations comes stretched out over a series of discomfiting oscillations, like messages from the spirit world or pulp fictions found in a box at the end of your road or a crackling pop broadcast from a far-away galaxy;
Audiobooks are Evangeline Ling and David Wrench. Evangeline is a 21 year old art student and musician from Wimbledon and David is one of the most in demand mixers and producers in modern music, a sometime cohort of Julian Cope and former denizen of North Wales – might seem an unlikely pairing. Yet a chance encounter at a mutual friend’s party just one week after David had moved south to the capital very quickly led to an experimental studio session that’s been going on ever since.
Brighton and London's most insatiable underwater boy band