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<title>RockFeedback > Features</title>
<description>All the latest news from RockFeedback</description>
<language>en-us</language>
<link>http://www.rockfeedback.com/</link>

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<title>Gogglebox: Watch Eugene McGuinness - 'Shotgun' [Feature]</title>
<pubDate>Tue, 07 Feb 2012 07:51:00 GMT</pubDate>
<description><![CDATA[Long gone are the days of the doe-eyed singer songwriter, acoustic guitar strung over his back and knackered Converse covering his feet! Eugene McGuinness is back - like, properly back! His re-emergence began earlier this year with killer comeback single 'Lion' showing off a slicker and more polished Eugene both musically and in appearance; cardies swapped for slick suits, acoustic riffs swapped for synth based beats. It's a similar affair with new single 'Shotgun'. The suits weren't just a one off but a staple of a new direction, both retrospective and forward thinking, this balances out as wonderfully contemporary. This is what indie music made in the year 2012 is supposed to sound like, and we can't think of a better advocate of the sound than Eugene. Watch the video for 'Shotgun' below.]]></description>
<link>http://www.rockfeedback.com/feature/2214/gogglebox-watch-eugene-mcguinness-shotgun/</link>
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<title>Young Galaxy – Interview – February 2012 [Feature]</title>
<pubDate>Tue, 07 Feb 2012 06:49:00 GMT</pubDate>
<description><![CDATA[Chances are at some point this year, if you&rsquo;re on Facebook or Twitter, you&rsquo;ve already received a re-post/Tweet of an article prophesising on the &lsquo;death of guitar music&rsquo;, or a general analysis of how bands are seemingly becoming a redundant musical medium. Clearly that&rsquo;s not a line Rockfeedback is going to buy into and it&rsquo;s certainly a very blinkered argument that must be looking at the genre groupings within the ever decreasing &lsquo;units moved&rsquo; metrics of the last few years.
Young Galaxy are a band who prove quite the ointment to this line of argument. If the mainstream is turning its back on &lsquo;bands&rsquo; and &lsquo;guitars&rsquo;, then that&rsquo;s all the better for the fringes, for experimentalism to flourish and for musicians to have more space to create. Formed of a core trio of Stephen Ramsay (guitars, vox), Catherine McCandless (vox, keyboards) and Stephen Kamp (bass, vox) Young Galaxy have released three albums of dance rock that is at once continuously rumbling with despair whilst being punctured with pinholes of poetic hope. Their output is one of the most consistently progressive yet melodic concoctions out there. Their last album, 2011&rsquo;s Shapeshifting was recorded and then sent to Swedish dub-dance pioneers, Studio&rsquo;s Dan Lissvik to edit and embellish as he pleased. The resultant album shimmies in an ephemeral light of heavy grooves as Catherine prophesises across a series of philosophically influenced observations that are strikingly beautiful. Rockfeedback had the chance to speak with lead songwriter Stephen Ramsay on Anglophilia, nihilism and cultural heroes.

Rockfeedback: Young Galaxy come happily burdened with an expectancy to contrast a na&iuml;ve wonder for things with, ultimately, a fatalistic outlook. Why is this, are you a concept band first and foremost?

Stephen Ramsay: Oh wow, what a question! I suppose the short answer is that I have always had felt like I have a very thin skin about the innate strangeness of our existence. Our self-regarding minds are unique to us in the universe, as far as we know - and this very notion is simultaneously an unprecedented miracle and completely isolating and tragic. I use music as a way of exorcising this - a lot of what I write about serves my need for catharsis. Lately though, I have begun to question whether this way of writing is heavy-handed and uninteresting for most people, so now I'm attempting to push myself into something entirely more foreign and uncomfortable, conceptually speaking. For instance, I am currently interested in writing lyrics that are less about believing in what I have to say than they are about the phonetic aspect of the words.

RF: As a band from Montreal, can you tell us a little bit about the city as an influence to your music and as a musical community, a place to live in and as a cultural force? What is your relationship with Montreal? 

SR: Montreal is a mostly lovely place to be an artist, because it is largely inexpensive to live there and it's quite village-like in atmosphere. Because there is a divide between the English and French cultures, there is less of that competition I imagine bands would feel living in Brooklyn or London, where everybody in every corner of those cities are there to make it to the top of the heap in the same way through the same avenues. The French/English divide fragments the scene in Montreal, so you end up feeling like part of a smaller, more manageable community within a larger, world-class city, which is nice. Plus, people there are friendly and laid-back. It's a social city. Unlike where I'm from in Vancouver, it feels like every walk of life can find a home there, as opposed to just the incredibly rich. Like everyone, what frustrates me most about Montreal is the punishing, endless winters, which probably are also responsible for keeping us busy creatively so I shouldn't complain too much about it.

RF: Have you been able to play with any of your heroes, if so, could you give a brief summary of the situation and how it felt? What did you take away from it and has the experience fed into your music making?

SR: Nah, my heroes don't know who we are and probably wouldn't like us either. That being said, we made our last album with Dan Lissvik, whose music I am a very big fan of. We recently played in Gothenburg with him in the audience, which was strange. I just assumed he didn't like it - I never equate us with being on the level with the musicians we admire most, but that's just me...

RF: &ndash; So do you feel music can change lives?

SR: I guess, ultimately, what I hope is that I can provide some anchor in people's lives the way my favourite bands such as The Cure, The Smiths and New Order, did for me. They provided counsel, escape, catharsis - all of it. I lived out the drama of my life largely alone in my room with my music, as opposed to acting out in the community through drugs, alcohol and violence, the way most of my peers did. It would be wonderful to provide that alternative for my listeners too, if I could.

RF: - To take this to another zenith, do you think music has a right to make political statements, be them abstractions or direct?

SR:I think it's very hard to make direct political statements as a musician without pigeonholing yourself as a political artist, which I think is a very hard category to extract yourself from later. Plus I am wary of making statements of that nature when I feel life should be a continuous quest to prove yourself wrong. That being said, I also think music making is inherently political - to be a 'professional' musician of my kind is to largely live outside the conventions of our culture. It is poor paying, fleeting, and nomadic in comparison. So it is a statement unto itself, I would say.As a result, I am more interested in personal politics, or how we relate to ourselves based on the tension between what we discover for ourselves and what we are born into, within our families, culturally, societally, even sexually. I like the idea of defying the cultural expectations being placed over us from the time we are born. In my experience, it's good to break patterns.

RF: - So what's next?

SR: Another record! We want to make lots more music, as we feel our best is yet to come. Other than that, the only projection into the future I am willing to make is when I am 80, at which time I will begin to wear white suits exclusively, do heroin, and lawn-bowl daily. That is all.]]></description>
<link>http://www.rockfeedback.com/feature/2212/young-galaxy-interview-february-2012/</link>
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<title>Listen To: Willis Earl Beal - 'Take Me Away [Feature]</title>
<pubDate>Tue, 07 Feb 2012 06:44:00 GMT</pubDate>
<description><![CDATA[Mythology in music is a rarity nowdays - it'd seem that unless you're amasked bedroom producer you've got no chance of maintaining anykind of anonymity or mystique over your art or yourself. Willis Earl Bealseems set to change this. Ever since signing to new XL imprint Hot Charitymuch has been made of the troubador's past, present and future. Quirks such as his handdrawn flyers with his phone number at the bottom alongside an offer to sing a songdown the phone, as well as playing shows at US train stations, have led thesinger to a world of hanging out with Damon Albarn, drinking champagne and openingthe bill at some of the 'States most celebrated venues. The future is theexciting part for us in Beal's world, with debut album 'Acoustic Sorcer' setfor release in April and tracks as strong as 'Evening Kiss' and today'soffering 'Take Me Away', Willis Earl Beal could swiftly become of the mostimportant artists we've come across in a very long time.

To get in touch with Willis and ask him tosing you a song call (773-295-2135) and if you'd like him to draw you a picture write to (P.O. Box 471881, Chicago, IL, 60647).]]></description>
<link>http://www.rockfeedback.com/feature/2213/listen-to-willis-earl-beal-take-me-away/</link>
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<title>Gogglebox: Watch M.I.A - 'Bad Girls' [Feature]</title>
<pubDate>Fri, 03 Feb 2012 07:41:00 GMT</pubDate>
<description><![CDATA[M.I.A once again teams up with Romain Gavras, the infamous director responsible for 'Born Free's' mass killing of gingers. Thankfully, the 'Bad Girls' message is less hard hitting, Gavras instead focusing on rad car tricks and scenic shots of the Moroccan desert however. That's not to say however that the clip is without message - a strong theme of female independance and empowerment is certainly prevalent. Discussing the video, M.I.A. mentioned the difficulties with its filming; &ldquo;I thought I was gonna die on the shoot when I saw the drifting. It was a four day shoot so everyone was on edge the whole time specifically ME when I had to do bluesteel singing to the camera while the cars did doughnuts on the wet road ten feet away&rdquo;. One of the first must see videos of the year.]]></description>
<link>http://www.rockfeedback.com/feature/2210/gogglebox-watch-mia-bad-girls/</link>
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<title>Gogglebox: Watch The Maccabees - 'Feel To Follow' [Feature]</title>
<pubDate>Fri, 03 Feb 2012 07:39:00 GMT</pubDate>
<description><![CDATA[It's been a triumphant year so far for The Maccabees. With their third record in the charts at number 4 and also gaining widespread critical acclaim, the band have taken the next logical step as artists and find themselves currently one of the most significant UK guitar bands. It's an exciting time, and as Felix mentioned in an interview with theNME,it's one in which they're remaining in complete creative control. Thankfully this means their run of brilliant videos has continued, with 'Feel To Follow' perhaps being one of their finest. The song is taken to a surreal countryside location in which children play and enjoy themselves untainted, whilst the adults have something more sinister in their world...]]></description>
<link>http://www.rockfeedback.com/feature/2211/gogglebox-watch-the-maccabees-feel-to-follow/</link>
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<title>Gogglebox: Watch Cate Le Bon – ‘Fold The Cloth’ [Feature]</title>
<pubDate>Fri, 03 Feb 2012 06:35:00 GMT</pubDate>
<description><![CDATA[Cate Le Bon has a new video for her song &lsquo;Fold The Cloth&rsquo;, killing two birds with one stone by giving us something nice to watch/listen to and fulfilling our quota of Welsh people on the website for the year as well. The single is taken from her latest album, CYRK (Polish for 'circus' apparently), being released on 30th April via Gruff Rhys&rsquo; Ovni imprint.
The video, directed by Ryan Owen, features Le Bon&rsquo;s four year old niece Greta (who has a song named after her on the album) and a dog called Tegan having what looks like a lovely time in what we presume is the beautiful Welsh countryside. There&rsquo;s bikes, ribbons, feathers and all sorts going on to keep you entertained, and the song sounds as much like Nico/St Vincent/Super Furry Animals as you might expect. Keep an eye out for the creepy bit where little Greta mimes the words to the song with what can only be described as a look of madness in her eyes. Bless.

Cate Le Bon "Fold The Cloth" official video from The Control Group on Vimeo.]]></description>
<link>http://www.rockfeedback.com/feature/2209/gogglebox-watch-cate-le-bon-fold-the-cloth/</link>
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<title>Listen To:  R. Kelly – Share My Love [Feature]</title>
<pubDate>Wed, 01 Feb 2012 09:55:00 GMT</pubDate>
<description><![CDATA[For a long time I&rsquo;ve been wondering if I might actually be starting to like R. Kelly seriously, as opposed to just liking the silly shit &ndash; the hip hoperas, the stupidly titled autobiographies (it&rsquo;s coming out soon and it&rsquo;s called Soulacoaster), the OH EVERYTHING. Then he goes and returns with &lsquo;Share My Love&rsquo;, a totally straight up Barry White pastiche that doesn&rsquo;t even have any ridiculous lyrics to quote. As such, I&rsquo;m not really sure what to say about it. If you like extremely slick disco sung by a bloke with a lovely voice, it&rsquo;s for you. Because that&rsquo;s all and exactly what it is. Maybe I do just prefer the silly shit after all.
The album it&rsquo;s from is called Black Panties, though. That&rsquo;s gotta be good.]]></description>
<link>http://www.rockfeedback.com/feature/2208/listen-to-r-kelly-share-my-love/</link>
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<title>Listen To: Young Turks Radio Takeover [Feature]</title>
<pubDate>Wed, 01 Feb 2012 09:03:00 GMT</pubDate>
<description><![CDATA[You may or may not have been aware of the always brilliant label Young Turks' recent excursion to the land down under, hosting a series of parties and radio shows with the first radio takeover available to listen to online now. The mix features a new Jamie XX track and mixes from the likes of Romy xx and Bullion as well as including a session with the label's most recent signing Chairlift. It's the perfect afternoon listen, and the inclusion of Zomby's 'Natalias Song' also makes it somewhat controversial. Listen to the Young Turks FBi radio takeover below.
 Young Turks Takeover on FBi Radio (31/01/2012) by Young Turks
Tracklisting: Jack Penate - Didn't I Zomby - Natalia's Song Sampha - Indecision Julia Holter - Goddess Eyes Bullion - What Does She Know Arthur Russell - Tone Bone Kone Dexy's Midnight Runners - Thankfully Not Living In Yorkshire It Doesn't Apply Francis And The Lights - It'll Be Better Chairlift - Met Before (Illum Sphere Remix) (Rich Harrison Production) Toni Braxton - Take This Ring Chairlift Live Session Ghost Tonight Wake Up Call - Jack Penate Jack Penate - No One Lied Jamie xx - Touch Me (Instrumental) Romy xx Little Mix! Everything But The Girl - On My Mind Elastica - My sex Elizabeth Harper - Rock Like A Baby Fleetwood Mac - Brown Eyes Bullion Mix Philboyd Studge's Intro Unknown Cases - Masimbabele Bobby McFerrin - Drive Blludd Relations - Even Steven Paul White - Watch The Ants Aphrodites Child - Such A Funny Night]]></description>
<link>http://www.rockfeedback.com/feature/2207/listen-to-young-turks-radio-takeover/</link>
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<title>Gogglebox: Watch Palmistry - 'Night Truths'  [Feature]</title>
<pubDate>Wed, 01 Feb 2012 08:42:00 GMT</pubDate>
<description><![CDATA[We first came across Palmistry in the summer of last year. Obvious comparisons were drawn to the likes of The Weeknd and How To Dress Well, but doing so always felt somewhat lazy. New track 'Night Truths' highlights just how tired the lines drawn were and shows the South London producer as very much an artist making his own tracks in the musical world; this is as dreamy as his previous efforts, and further highlights his love of old school R&amp;B and UK electronic music, but there's something else going on here - a world he's created for himself in which currently he is the sole settler. A truly excting new artist.]]></description>
<link>http://www.rockfeedback.com/feature/2206/gogglebox-watch-palmistry-night-truths/</link>
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<title>Listen To: Jamie N Commons - 'Devil In Me' [Feature]</title>
<pubDate>Tue, 31 Jan 2012 07:17:00 GMT</pubDate>
<description><![CDATA[Following on from his debut release 'The Baron' EP in October, Jamie N Commons has now announced new single 'Devil In Me' set to drop on March 12th. The singer songwriter has quickly found himself gathering acclaim from all music worlds with a spot on the BBC sound poll and a potential collaboration with the catastrophically famous Rick Rubin. The track again showcases the power of Common's voice and tells a particularly emotive tale as the man himself explains: "This track deals with the feelings of guilt and regret... the character portrayed is the flip side to the one on the lead track of my first E.P "The Preacher"... Where as that character took faith as his justification, this guys looking in the mirror you see" Listen to 'Devil In Me' below.
 Devil In Me by Jamie N Commons]]></description>
<link>http://www.rockfeedback.com/feature/2205/listen-to-jamie-n-commons-devil-in-me/</link>
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<title>Listen To: Jack White - 'Love Interruption' [Feature]</title>
<pubDate>Mon, 30 Jan 2012 10:05:00 GMT</pubDate>
<description><![CDATA[The first cut from the debut Jack White album, Blunderbuss, has just arrived in our inbox making today a very good day. Set to be released through a partnership of White's own Third Man Records and XL, 'Love Interruption' is an instant classic and will put to rest any worry White Stripes fans may have regarding the project. Discussing the full record, which he produced and recorded at his own studio in Nashville, White describes it as "an album I couldn't have released until now. I've put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colors on my own canvas." Listen to 'Love Interruption' below.


Pre-order the 7" Here]]></description>
<link>http://www.rockfeedback.com/feature/2204/listen-to-jack-white-love-interruption/</link>
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<title>Gogglebox: Watch Soko - 'First Love Never Die' [Feature]</title>
<pubDate>Mon, 30 Jan 2012 09:46:00 GMT</pubDate>
<description><![CDATA[We've long been admirers of SoKo over at RFB HQ and have sat patiently waiting for a full length record for quite some time now. Yet nobody told us it would be as good as this first cut suggests. 'First Love Never Dies' is a heartbreaker, the tale of lost love as seen through the eyes of someone always thinking outside the box, giving a unique look at at a universal emotion and in turn showing a shift in the quality of the music (it's certainly Soko's most accomplished effort to date). Watch the video, directed by actor Matthew Gray Gubler, below.]]></description>
<link>http://www.rockfeedback.com/feature/2203/gogglebox-watch-soko-first-love-never-die/</link>
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<title>Listen To: M.I.A - 'Bad Girls' [Feature]</title>
<pubDate>Mon, 30 Jan 2012 08:18:00 GMT</pubDate>
<description><![CDATA[The brand new track from M.I.A has just premiered on Pitchfork and is set for a Hottest Record in The World first ever radio play on Zane Lowe tonight. As for us, we think it's fair to say that as far as statements of intent go, this kills it. Originally appearing on 2010's really rather goodVicki Leekxmixtape, 'Bad Girls' has since been fixed up by producer (and mate of Timbaland's) Danja, with a video in the works by previous collaborator Roman Gavras (the man responsible for the infamous 'Born Free' clip). The track itself is a classic M.I.A. cut and certainly her best effort in some while. It's arrival, paired with events such as her 'heavily rumoured' upcoming Superbowl half-time performance with Madonna, suggests a whole new era of huge for the South London rapper. Listen to 'Bad Girls' HERE]]></description>
<link>http://www.rockfeedback.com/feature/2202/listen-to-mia-bad-girls/</link>
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<title>Listen To: Frank Ocean - 'Voodoo' [Feature]</title>
<pubDate>Mon, 30 Jan 2012 04:19:00 GMT</pubDate>
<description><![CDATA[We've been handed a blessing this morning from Odd Future man Frank Ocean in the form of brand new track 'Voodoo'. As usual it's an all round smooth affair from Ocean; the beat is laidback and the vocal delicate, discussing the troubles of life and love before the coming to a somewhat abrupt end, perhaps hinting at a longer version in the works. It's classic R&amp;B at it's finest. You can listen to 'Voodoo' HEREand watch an interview with the singer discussing his forthcoming debut album HERE]]></description>
<link>http://www.rockfeedback.com/feature/2201/listen-to-frank-ocean-voodoo/</link>
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<title>Listen To: Metronomy – 'The Look' (TIP’s Shook Shook Rework) [Feature]</title>
<pubDate>Fri, 27 Jan 2012 06:43:00 GMT</pubDate>
<description><![CDATA[Currently love-stepping his way to becoming on the most exciting new artists out there, Two Inch Punch's remix of Metronomy's 'The Look' may well be the track that takes the London producer to the upper echoleons of hype. Vocals are pitch shifted, rearranged and sometimes just left moving in and out of the mix as synths shuffle and drums drop sensitively all around. A truly thoughtful and brilliant remix of one of last year's stand out tracks.
  Metronomy ~ The Look ( TIP's Shook Shook Rework ) by T.I.P]]></description>
<link>http://www.rockfeedback.com/feature/2200/listen-to-metronomy-the-look-tips-shook-shook-rework/</link>
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<title>Download: Weird Dreams - '666.66' [Feature]</title>
<pubDate>Wed, 25 Jan 2012 09:56:00 GMT</pubDate>
<description><![CDATA[We often get excited about bands over at RFB HQ. It's part of the job really. The only problem is they so often break our already weak hearts by not being able to deliver an album to follow up on initial brilliance, Weird Dreams are not one of these bands. Yes, since stumbling upon them way back when their output has consistenly got stronger and stronger, and with a debut record now complete we're sure their Lynch-inspired new wave sensibilities won't be causing us heartache anytime soon.
  Weird Dreams - '666.66' by rockfeedback]]></description>
<link>http://www.rockfeedback.com/feature/2199/download-weird-dreams-66666/</link>
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<title>Gogglebox: Watch Spector - 'Chevy Thunder' [Feature]</title>
<pubDate>Wed, 25 Jan 2012 06:34:00 GMT</pubDate>
<description><![CDATA[They've ditched the suits for dodgy Hawaiian shirts, set off on an almighty road trip taking in the long winding freeways of America and headed towards Mexico. Spector certainly know how to do things in style, and given the recent groans regarding the death of guitar music, if one band are going to be able to rectify the situation we reckon it's them. Now now, whilst we're of the belief that the death of guitar music isn't really a thing, we're going to run with it just this once if only to commend Spector for making it clear that being in an indie band can still be the best thing to do with your life.]]></description>
<link>http://www.rockfeedback.com/feature/2198/gogglebox-watch-spector-chevy-thunder/</link>
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<title>Listen To: Jagwar Ma - 'Come Save Me / What Love' [Feature]</title>
<pubDate>Tue, 24 Jan 2012 07:01:00 GMT</pubDate>
<description><![CDATA[Jagwar Ma has announced his debut 7" on brand new label The Blue Rider. The single, which is set to be released in both the UK and the US by Blue Rider, see's Ma collaborate with some of his best buddies - with Gabriel Winterfield taking on vocal duites and Warpaint's Stella Mozgawa spending part of the song behing the drumkit. Whilst these facts are all significant they should not take precedent over the quality of music Ma is putting out, his own unique brand of weird psychedellic spector-pop puts a fresh spin on the time honoured happy break up song. Listen to the single below.
Come Save Me

What Love

For more info visit:www.blueridermusic.com]]></description>
<link>http://www.rockfeedback.com/feature/2197/listen-to-jagwar-ma-come-save-me-what-love/</link>
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<title>Gogglebox: Watch A$AP Rocky - 'Wassup' [Feature]</title>
<pubDate>Tue, 24 Jan 2012 06:35:00 GMT</pubDate>
<description><![CDATA[Scantily clad women, drugs, interesting fashion and bath tubs full of money.. sounds like either a rap video, or an issue Vice. Wait - it's a rap video made by Vice?! The world has just got more real than ever. Inspired by the likes of Scarface, Belly (not the band), Enter The Dragon, The Warriors and Willy Wonka &amp; The Chocolate Factory, the $3,000,000 rapper gets to live out his wildest fantasies in this clip - fantasies which just so happen to be 40s, Ferrari's, homies and hoards of cash. Watch the video for 'Wassup' below.]]></description>
<link>http://www.rockfeedback.com/feature/2196/gogglebox-watch-aap-rocky-wassup/</link>
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<title>Gogglebox: Watch Jack Penate - 'No One Lied' [Feature]</title>
<pubDate>Tue, 24 Jan 2012 06:25:00 GMT</pubDate>
<description><![CDATA[It's been an awful while since we last heard from good old Jack Penate. Two and a half years in fact. Do you remember the good old days? He was the troubador who swapped battered brogues for Nike Hi Tops, X-stepping his way to shared NME covers with Kate Nash and top twenty albums. Then, it went quiet. For some, this was a good thing - the 'indier than thou' world never entirely took to Penate (but also never really explained why not). It seemed JP was destined to go the same way as our once-beloved Kid Harpoon. By that we don't mean becoming a hugely successful songwriter for some of your favourite artists both new and massive, no. We mean "indie has-been". That was until the other night when Jack uploaded new track 'No One Lied' onto his YouTube account - raw, earnest and passionate, Penate's new material borrows from the better parts of his underated last record yet fires them through a canon loaded with every credible, cuturally significant singer wongwriter before him. Watch the video for 'No One Lied' below.]]></description>
<link>http://www.rockfeedback.com/feature/2195/gogglebox-watch-jack-penate-no-one-lied/</link>
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